4,374 Royalty-Free Audio Tracks for "A Major Chords"

After You've Gone by Creamer and Layton (1918) chorus, mm.24-43. Nashville number system realization on guitar.

The secondary dominant chords of the key of C major, each given before the chord of which it is the dominant. Digital recording, made with an acoustic piano and Wavesurfer software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Tritone substitution (for V), without (with V). Created by Hyacinth (talk) 04:48, 10 May 2010 using Sibelius 5.

The chord progression of the ostinato from "Creep" played with block chords with each chord in root position within one octave.

Violink concert in D, Op. 61 — 1st movement: allegro ma non troppo. Violinkonzert in D, Op. 61 — 1. Satz: allegro ma non troppo.

The sound of someone clearing clutter off a table, of predominately paper and a few other things, very hastily in one swipe.

H 6667440 aa aaa a-paal rouilal jabaal wava thermopile a-na 000.

IV-V-I chord progression in C. MIDI file Progression d'accords. Fichier midi.

Prometheus scale on C.

Love of alians.

A-ta vä homonculus licorne.

A-ta vä homonculus licorne.

Driver shelf a-ta vä.

Driver shelf a-ta vä.

Driver shelf a-ta vä.

Recorrido del bulevar niza a la av, boyaca.

Claps of an office case.

Cool guitar tapping in a-minor penta ,100bpmrecorded in logic pro x. Used external guitar processor, boss gt 100no plug ins from logic.

Poecilotheria regalispholcus phalangioidesavicularia purpureasteatoda grossa.

Poecilotheria regalispholcus phalangioidesavicularia purpureasteatoda grossa.

Mire 480 a-ta.

Mire 480 a-ta ka.

Joe biden wake up.

Taking a bus in beijing.

H 6667440 aa aaa a-paal rouilal jabaal wava hasael thermopile a-na 001.

Made this by drinking from a gatorade. Used a bit of noise removal to help the sound because there was a ring in the background. Used audacity. Check out my channel on you tube to see how i used the effect (it would help me): http://www. Youtube. Com/user/scottc6115.

Giovanni Benedetti's 1563 example of a comma "pump" or drift by a syntonic comma (21.51 cents) during a progression. Common tones between chords are the same pitch, with the other notes tuned in pure intervals to the common tones.

Maple Leaf Rag seventh chord resolution. Created by Hyacinth (talk) using Sibelius 5.

Common chord modulation in Mozart, Sonata in D Major, K. 284, III, m. 1-8.

Claude Debussy's Premiere Arabesque melody and chords abstracted from that melody.

Johann Sebastian Bach's Toccata, Adagio and Fugue in C major, BWV 564, in a transcription by Thomas Knox of the U.S. Marine Band, played by the U.S. Marine Band for the album Marine Band Showcase, Volume 2.

1920 recording of Bach's Air for G string (Air on the G string) (BWV 1068, D major. arr). Violin solo by Joel Belov with piano accompaniment by Robert Gayler.

Recorded with https://play. Google. Com/store/apps/details?id=com. Stereomatch. Banetalk&hl;=en_gb for a friend on twitter.

Using the lighter. (no cigarette unfortunately).

A-ta.

A-ta ka.

A-ta ka.

A-ta.

Scanner daemon paalerkdjah a-ta.

Scanner daemon paalerkdjah a-ta ka.

Driver a-na 235 dual #002.

Driver a-na 236 dual #003.

Driver a-na 233 dual #000.

Driver a-na 234 dual #001.

V42 of V - V - I in C. Created by Hyacinth (talk) 14:09, 15 May 2010 using Sibelius 5.

Chromatic mediant from Tchaikovsky's (1840–1893) Chant sans paroles.

Chord progression of La Folia theme, a common harmonic pattern in baroque music. After chord notation provided by User:Hyacinth at en:File:Later Folia.png. Self-made with Lilypond

Demonstration of the melodic minor second's place in a cadence. Created by the uploader.

Standard open a major bar chord (e major formation). Down strum. If any of these samples have any errors or faults, please tell me.

V of V in C, four-part harmony. Bruce Benward and Marilyn Nadine Saker (2003). Music: In Theory and Practice, Vol. I, seventh edition: p.269. ISBN 978-0-07-294262-0.